In hindsight, his regret is everlasting in this case point. The future self will regret first his decision about taking the road less traveled on. This self-realization is pathetic and ironic in itself. The grassy roads and yellow woods represent the present as the individual views from a future perspective. Frost’s take on this is slightly complicated. ‘The Road Not Taken’ actually steers clear of advising on selecting a definitive path.
PERSONIFICATION IN THE ROAD NOT TAKEN FREE
Since humans are free to select as per their will, their fate is unknown to them. Similar forks are representative of everlasting struggle against fate and free will.
The archetypal conundrum is the primary attraction of the poem, readers instantly relate to their personal experiences.įorks and woods are used as metaphorical devices relating to decisions and crises. Marrying elements of form and content, arresting artistic phraseology and metaphors, the poem is mostly read without being understood. Robert Frost’s poetic masterpiece is arguably the most infamously misunderstood poem as of yet. The individual concludes on a melancholic note of how different circumstances and outcomes would have been, had it been the “other” path.
Since his current path will bring upon separate paths in itself, disallowing any consequent reversal. The individual comforts with a thought about returning, be if his path is unsuitable for him, yet in hindsight, he’s aware of the futility of such thought. In the poem, the individual arrives at a critical juncture in his life, arriving at crossroads at last near “a yellow wood.” As per him, the paths are equally well-traversed and yield anonymous outcomes. ‘The Road Not Taken’ by Robert Frost describes how the speaker struggles to choose among two roads diverging in the yellowish woods on an autumn morning.
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